Fraser had a lot of experience with Star Wars, Dune was similar in many ways. Multiples were used with Dune and Fraser has a lot of experience with that. A couple reasons why this is the case: Deakins doesnt like working with multiple cameras. If you’re not doing the work to get a great shot, then what’s the point? Digital cinematography puts all the heavy work in the post-production rather than planning and attempting to get the perfect shot while on set. Deakins says on his podcast that Denis never asked him to do Dune, seemed a little miffed about it too. Whatever rules we learn in school, or read about in books, are just a common language that helps us understand the importance properly telling a story. “In a world where you can do anything, nothing means anything,” Tarantino said in his interview with Nolerg. Sam Mendes and Roger Deakins shot the film 1917 on a single lens a 40mm prime. It’s why Tarantino said it is hard to tell if a movie has a good cinematographer or not. There is no extra work done before or during filming to get that specific look the movie is trying to achieve. When shooting digitally, what you see on the monitor is what you get. Most of the time, people shoot on digital to avoid the extra time it takes to light a space or properly plan to achieve the final look of the movie. Digital cinematography can look like shooting on film if edited correctly.įilmmaker Quinton Tarantino strongly disagreed with Deakins’ hot take.įor Tarantino, shooting on digital seems a little excessive and redundant. Deakins sat down with Nolerg and explained why shooting digitally is the way to go. Wim Wender’s landmark 1984 indie road movie, Paris, Texas stars Harry Dean Stanton as a lone wanderer who tries to reconnect with his wife and brother. of Cinema)Antonia Dickson, The real diary of a real boyHenry A Shute. Joining his growing list of favourite western films, Sergio Leone’s Once Upon a Time in the West makes the eighth spot on Deakins’ list as a true classic of the genre that follows a mysterious stranger protecting a beautiful widow from a ruthless assassin. The final film on Roger Deakins’ list nicely bookends his taste in cinema, featuring a contemporary tale of the American nomad, emerging out of the wild west to assimilate into modern life. There are no words to explain that tingling feeling you get when watching a movie shot on film, but some cinematographers believe that the film look can be achieved through a digital camera if done correctly.Ĭinematographer Roger Deakins has been actively shooting digitally for the past few years on some of his projects like Skyfall, Blade Runner 2049, and 1917. Roger Cotes, Ice Creams, Water Ices, Frozen Puddings Together with Refreshments. The great film-versus- digital debate continues.
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